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SocietyFringePodcast's podcast

Dave and Brian are using this podcast to roll out their 80 song rock opera entitled APOCALYPSE TOMORROW. They'll alternate songs with podcasts that consist of conversations that start out about the song and then lead to wherever. Both fellas are pop culture junkies, mainly scifi and any entertainment that has achieved cult status. Mainly they're aging rock and roll guys who are STILL banging around Society's Fringes looking for a way in.
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Now displaying: Page 4
Aug 23, 2016

The fellas begin by saying "It's fucking like blowing up the Death Star or Indiana Jones doing absolutely nothing at the end of Raiders Of the Lost Ark!" then move on to  Foster Huey's dental problems (donate to Bellas Bully Buddies! bellasbullybuddies.org), stray into cat talk(how "meow" sounds like "NOW!"), and then Dave tries to figure out what he already done wrote. Next they speak a little on Baby Blue's character arc to come, altering one's consciousness through distance running, and Steve Goddamn Earle.

Aug 22, 2016

DAWN'S EULOGY

You wanted something more than just somebody at the door

What you got was something less you're thinking "what in heaven for"

Ain't never got no flowers just take it one day at a time

Places lose their meaning and life becomes a rhyme

I said you take it as it comes and that's a rule of thumb

Sometimes you feel you ain't begun hell you're not the only one

Wake up your pillow's wet while it's lying on the floor

If kindness is a virtue you're thinking, "baby, what in heaven for":

Looking for your dad in all those guys who turned out bad

Broken expectations are al that you have had

A failure brings a heartache that a pill can't ever cure

Searching and feeling empty you're thinking "baby, what in heaven for

What in heaven for"

After all that time avoiding pessimism laughs out loud

The faces they look different ain't no solace in a crowd

Old friendships fly away like a bird does in the fall

Submerged in isolation you're feeling two foot small

I said you take it as it comes and that's a rule of thumb

Sometimes you feel you ain't begun hell you're not the only one

Wake up the pillow's wet while it's lying on the floor

If kindness is a virtue you're thinking "what in heaven for

What in heaven for"

On the day that Dawn was killed nobody even knew

'Cause there's a million deaths in the city minus one or two

The murder of a whore is as tragic as can be

She meant more than that to you

She meant more than that to me

What in heaven for

You can live your life in sorrow

But what in heaven for?

 

 

 

Aug 15, 2016

WATCHING IT ON TV

Rain all the time 'cause her lover's gone

Rage in the sunshine never to belong

Crack in the windshield of a wasted throng

Clear through the morning to be watching it on TV

She breaks the skin and the needle's free

No sleep tonight and it's almost three

Never again try to not agree

Clear through the morning to be watching it on TV

All night long

She buys a new pack of cigarettes

She sits around and tries to forget

She waits for something that's not regret

Clear through the morning to be watching it on TV

Rage in her eyes but she's nodding out

Slumped by the wall in her mind she shouts

"Why is it everything's wrong about"

Watching it on TV

But there ain't no TV screen

He's here and he's feeling mean

The city will hide the screams

 

 

Aug 10, 2016

Dave and Brian discuss the 16th song in The Big Opera, the original Society Fringe Player, planning planning planning planning, trying to make a dark love song, the legendary Denton Texas band Slobberbone, milk chocolate vs dark chocolate, Od Bay seasoning, and then rank the new Doctor's companions. Quotes of the week: "wrestling fans are pretty smart" and "He knows same amount of I knows."

Aug 8, 2016

LOVE SONG

There's a feeling yes a feeling

I got for you call it true love

In the morning in the evening

Open on up call it true love

Ain't no sunshine ain't no dark clouds

When you're with me it's all back ground

Fading sunshine It's about time

We're together here forever

Life means nothing if I can't have you

'Cause I love you

 

Dave Linantud - vocals and guitar

Brian Lutz - bass

CJ Johnson - drums

Produced by Brian Lutz at Possum Studios 

Mastered by Ian Burke at Invisible Studios

Aug 3, 2016

Davey and BriBri break down the 15th song in the Big Opera which was originally written as a direct message to Public Enemy's Chuck D. Other topics they are passionate about: Keep Starbucks out of Hampden, keep the trees at Spring Grove, when gardening basil's really important because of the pesto, and labeling music is the height of idiocy. Lastly, in my notes here, it says"Brian's band tee, SFPodcast022, Bawmer Band Trees, Strawberry Shortcake Songs, and 37:00 so there you go. Get through this Wednesday!

Aug 1, 2016

OLD MAN BLUES

Old man blues, understand?

Drnk as shit, I'm a man

I seen 'em rise and I seen 'em fall

Don't fuck with me, son

I'll whup your ass, all y'all

Say what's up yo baby what's up

Said I try to figure out yo baby what's up

I moan the blues I ain't ever died

I ain't never laughed I ain't never cried

Shook hands with the devil cut my deals with the Lord

I'm froze to iron of what you can't afford

Said what's up

I seen the rules so I done wrote my own

I deconstructed the gospel with a black cat bone

The thorn covered rail that's the path of the righteous

Got the voodoo hoedown just don't wait to invite us

You know vengeance ain't passion it's a loser's gold

Dawn's eyes shine a light make a slight man bold

Where the swamp licks the ocean that's where we meet our fate

So if you're running to Jesus your ass better not be late

Say what's up

 

Dave Linantud - guitars and vocals

Brian Lutz - bass

CJ Johnson - drums

Possum Studios

 

 

Jul 27, 2016

Dave and Brian go over "Disaster Time" plus what was happening 20 years ago, 1996's best albums, Laurel MD, and historical tidbits POW! Then they compare Ben & Jerry's with Filipino Corn and Cheese ice cream, smoking crack at the old 9:30 Club, watching Buffy the Vampire Slayer before Circle 9 practice, and the Baltimore Colts, O's, and Ravens. Quote of the week: "States rights is an umbrella for any old weird shit you wanna do."

Jul 25, 2016

DISASTER TIME

Dawn comes from the outside she's got no insider's touch

Society's fringe, she's raring to binge, on drink and drugs and lust

She lives life by the moment, she falls in and out of love

She's randommer still, insane, if you will, no below or above

Angel White's kind of silly he's deserted in an urban maze

He sees stars in the sun, depressingly fun, imploding guns ablaze

He lives life for the dying he's got no insider's touch

Society's fringe, a bombastic cringe, existence is never cltuch

It's just disaster time

The sky melts patiently

The hovering evil lurks for you and me

It's a catastrophic world

Where we don't amount to much

We're sacrificial lambs for such and such

The last time I saw Elvis that sumbitch grew a beard

He gave up the pills, he got into stills, it really ain't that weird

He's stalking Dawn and Angel he put 'em in a book

Society's fringe a bloody syringe as if love is all it took

I done seen all three dancing I seen it clear as day

Nightmarish hued, horror imbued, beautiful in its way

Obsessed with this fucking opera I'm walking through its streets

Society's fringe, gutbucket hinge, write, learn, play, repeat

 

Dave Linantud - guitars and vocals

Brian Lutz - bass, engineering, and mixing

C.J. Johnson - drums

Produced at Possum Studios

 

Jul 20, 2016

Dave and Brian can't get the proper levels! "Hello hello hello hello hello." They tackle headphone intricacies, pining for sitars and bagpipes, merchandise design, and foody stuff.

Quotes: "Wormwood hallucinigates you."

            "Let me tell you everything CM Punk has always said!" D to B natch.

Jul 18, 2016

DESPERATION WALTZ

Try us. If you got a reason I don't ant to hear it.

Buy us. You can't afford to just even get near it.

Slide show. Pictures of nothing and nothing plus hearsay.

Pride low. Come up for air and then watch it turn our way.

Closed up. In both physical and emotional ways.

Nose up. A false display of hope why it's still a display.

Comfort. Meted out just like a pill from a doctor.

Sore sport. It's you and it's me and it's us and it's them.

Waltzing to me, desperation.

Waltzing to me then away.

Creep show. Just like a sign on a motionless freeway.

Held low. Again and again while a sign flashes "no way."

Outside. And inside and outside and inside again.

False pride. Hell it's as good as the real thing and then some.

Waltzing to me, desperation.

Waltzing to me then away.

Waltzing to medesperation.

Waltzing to me.

Stop.

Come here. But then again just gotuen back around.\

Fun here. Or there or wherever it's good to be found.

Control. Buy it or sell it or let it just sit.

Hello. And goodbye at the same time the same time the same time.

Waltzing...

Dave Linantud - guitar and vocals

Brian Lutz - bass, engineering, mixing

C.J. Johnson - drums

Recorded at Possum Studios spring 2016

 

Jul 13, 2016

It's the conclusion of Act 2! Also, it's the U2 strum where we couldn't get the bagpipes. Also, it's the state of the Blues according to SFP. Also, it's totally awesome that there's WAY more female bands than back in "the good old days." Also, Dave bores Brian with a VERY SMALL amount of NASCAR talk.

Jul 11, 2016

SHADOWS
Long stemmed rose in a vase that knows of a mournful and regrettful melody
In a city by the shore in what used to be Baltimore there was a boy no laughter flying free
Now that boy is a man long stemmed rose in his hand
To his beloved he gets down on his knee
She then just laughs a little but worse than that
He cracked her and watched her flying free
I saw them walking outside again
"I'll never love you" is what she said to him
I saw them walking in from the clouds
The shadows in the windows growing dim
I saw them walking outside again
"I'll never love you" is what she said to him
I saw them walking in through the clouds
The shadows in the windows growing dim

Dave Linantud: guitars vocals

Brian Lutz: bass

Ryan Bowen: drums

Produced by Possum Studios

 

Jul 6, 2016

My notes on this are sketchy. Dave and Brian try to figure out how to stage the Big Opera and then go into an overview of Act 2 which concludes MONDAY! And talk about Ween.

Jun 29, 2016

Davey and Briany explain a "collage audience," aver that "good music ain't ever gonna stop being made," declare that "EW respects Science Fiction," and opine that "tobacco is the dumbest drug in the world besides junk food."

Jun 27, 2016

DEATH IN HER HEART
She's a woman, man, she used to be a beauty
Hard living's made it hard for her to see
She build up a wall that crashed like thunder
She felt sadness far as her eyes could see
Freedom's a lie and so isindependence
She's spent her life being controlled
She didn't even know that til this instant
Yeah but she won't giveup any of her sould
She chuckles softly as she prays to Jesus
"I'm sorry, God, but I've wasted my whole damn life
It's him or me, God, I fear I'm coming to meet you"
There's death in her heart
When the morning sun comes up on her companion
She feels a hate that she cannot explain
"A romantic whore" she thinks and drops a dozen
She don't know that Baby Blue's checked in
She chuckles softly as she prays to Jesus
"I'm sorry, God, but I've wasted my whole damn life
It's him or me, God, I fear I'm coming to meet you"
There's breath in her heart

 

Dave Linantud - Vocals, guitars, bass

Ryan Bowen- Drums

Produced by Brian Lutz at Possum Studios

Jun 22, 2016

This is the song that made Brian want to do the other 79 songs. Also Dave's wife liked this song before she even met him! Ups to Monster Rob for the squawking. Also Dave Dave and Bri Bri discuss fashion sense and proper kilt color schemes. Quote of the week: "That's why people don't like me, because these people are dicks!"

Jun 20, 2016

DREAMGIRL
Hold this a second for me please while I scrape the blood off of my knees
Yeah please excuse me if I sneeze I just came in from overseas
I been thinking about you every day been writing down every word you say
I keep your fingernails under my bed
I keep a picture of your face inside my head
I ain't seen you in a while but I remember the way you smile
I like the way that you paint your eyes but most of all I like your style
I like your fashion sense and your taste in clothes
And the powder falling out your nose
And them earrings you gave me last July
And the tattoo of Catwoman on your thigh
Dreamgirl give me your hand Dreamgirl hell I'm your man
You remind me of damage in your hair you remind me of the damned in what you wear
You remind me of your momma in your breasts
You remind me of drugs when you sit at your desk
I love the way you shaved your head
I love the way you make my bed
I love the way you crashed my car
I love the way you melt candy bars
Dreamgirl give me your hand Dreamgirl hell I'm your man
I remember when you bought your farm and how you took me by the arm
And then you smashed that fire alarm you showed me you did posess some charm
But they wouldn't let us share a prison cell
I chalked the days and said oh well
When we were free we played mandolins
And reminded ourselves of original sin
You are my dreamgirl yeah it's true
Sometimes I wish that I was you
I know you wish that you were me
I just came in from over seas
Dreamgirl give me your hand Dreamgirl hell I'm your man

Dave Linantud: Vocals and guitar

Monster Rob Hornung: Saxaphone

Brian Lutz: Bass

Ryan Bowen: Drums

Jun 15, 2016

Best quote: "You were looking at your notes then you took your glasses off then you forgot everything."

Lesson learned: Brian is a technophobe who loves science.

Jun 13, 2016

HE DON'T KNOW WHAT TO SAY
He's frightened she's coming his way
He's speeding he don't know what to say
Last night he planned today
Right now he don't know what to say
How many times can a manshrink in life
How many times can he fail to meet his wife
How many times can he turn his back on love
She ain't happy no help from above
He turned and watched him walk away
He stuttered he don't know what to say
She sighed cigarette ash float away
She cried he don't know what to say
Yeah yeah yeah
He sat his brain melted away
He watches she don't know what to say
She sleeps her time come today
He wakes he don't know what to say

 

Jun 8, 2016

For the record the drummer in Pritty Hary was Feise! In the commentary track for "My Own Electric Chair" Dave Dave and Bri Bri apparently send "shout outs" to Paul Kelley and PJ Deboy, according to mine own "notes." This is the song where the world of the big opera begins expansion. Up to the beginning of the second act everything could have taken place in modern times. These two songs are the first steps to world building. But they also work as stand alone songs.

Jun 6, 2016

MY OWN ELECTRIC CHAIR


I'm the man who pulls the switch 

For the killing son of a bitch

He murdered now he'll die

He might kill again or lie

I'm alright bit uptight execute Monday night
Tuesday night watch a fight execute I'm alright

I've heard of atom bombs

and I've heard of protest songs

But when a man will kill and rob

I've got to do my job

First we shave his head get rid of all that hair
Then we strap him down to the electric chair
Alright

I'm the man who pulls the switch

profit from a nervous twitch

When all is done and through

should I kill me too


First we shave his head get rid of all that hair
Then we strap him down to the electric chair
So first I'll shave my head get rid of all my hair
And get what I deserve in my own electric chair
In my own electric chair

Jun 1, 2016

Since SFP respects Memorial Day we didn't publish the next song in the Big Opera. Being as Dave and Brian have a strong work ethic they recorded several theme podcasts that ain't about any particular song and this here is one of them. Kids of the 80s, pop culture dorks, David Letterman influenced by osmosis,  here are some lists.

May 25, 2016

Dave and Brian get into the nitty gritty in regards to the song "Adam & Eve." In regards to the conversation they name drop the short lived combo Pritty Hary. In regards to the further conversation they discuss STAR WARS THE FORCE AWAKENS. In regards to the rest of the podcast you'll have to listen. In regards to grammar, my most sincerest regards. Regards. Dave.

May 23, 2016

ADAM AND EVE
Angel White's a killer works for the state
Life's so funky, Angel White's is great
'Cause my homeboy pulls the switch ozone in the air
Picks his paycheck off the floor right nect to the electric chair

The morals of a scoundrel and the science of a bill
He'd push his only brother from a high up window sill
His duty is to Jesus to murder the ones that kill
He's sanctioned by the government and probably always will

Dawn is young and free in many different ways
She wants to give the love she never got in younger days
She ran down to the city fell right through the floor
Lost her light to smack and went from lustrous to a whore

So what a little money never hurt that's all it took
Shadowed by the executionarium she shook
He met a little lady why a flowing like a brook
They fell in love like lovers do and put it in a book

Because they're gnarly rascals Adam & Eve
23rd century lovers Adam & Eve
Will they find salvation, baby, Adam & Eve
Full of resignation, baby, Adam & Eve

The sun comes up almost every day
Nothing lasts forever as the old man wants to say
Hum that woeful weddig dirge so he can say his piece
Cross that bridge to the abyss and sit down for the feast

In the corner look it, someone turns to moves and stops to see
A picture of a frozen smile that's fractured by the glee
He looks back to his drink and thinks I'm glad that isn't me
The old man sucks his whiskey down collapses by a tree

Because they're gnarly rascals Adam & Eve
23rd century lovers Adam & Eve
Will they find salvation, baby, Adam & Eve
Full of resignation, baby, Adam & Eve

Dave Linantud - bass, guitars, vocals

Ryan Bowen - drums

Produced by Brian Lutz

Engineered by Greg Humphreys

Recorded sometime in 2014

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