00 "Pardon me, zip code nazi."
05 "This is better than the crab feast five hours ago."
10 "If I came in drumming like the originals it would be great."
15 "There's like a general outline."
20 "This is a novel told in songs."
25 "Nobody had any emotional explosions."
30 Netflix Video Pitch
35 "I went to Sherwood Forrest in Charles City, Virginia."
40 "It's hard not to do an accent."
45 "Billy Joe's a little cuter than Tim."
50 "You see I get in my head."
52 ABRUPT ENDING
00 "Pardon me, zip code nazi."
05 "This is better than the crab feast five hours ago."
10 "If I came in drumming like the originals it would be great."
15 "There's like a general outline."
20 "This is a novel told in songs."
25 "Nobody had any emotional explosions."
30 Netflix Video Pitch
35 "I went to Sherwood Forrest in Charles City, Virginia."
40 "It's hard not to do an accent."
45 "Billy Joe's a little cuter than Tim."
50 "You see I get in my head."
52 ABRUPT ENDING
VEGAS MARRIAGE
Texas is fading fast
Look at them South Dakota plates
That Caddy is our next blast
Headed west suck the desert dry
The FBI ain't no match for me
Look at old Billy Redfoot fly
Charlene's face is in my lap
Blasting through the Vegas skyline baby
Gonna marry her tonight hope they don't need no birth certificates
I think the preacher's gonna die
He's choking up chunks of lung like chocolate pudding
Me and Charlene got to laugh
I'm glad she snagged some extra napkins from the diner
The organ player she's a whore
She gave Charlene her business card
The ceiling seems somewhat stained
Charlene said "How did those stains get up there?"
I'm gonna marry her tonight hope they don't need no birth certificates
I took her as my lawful wedded wife then I fucked her in the Cadillac
The future seems to be a shining beacon in the night
It is unwritten so a breath of newness flows through me like benign poison
Diamonds sparkle like a Mozart song we're tripping balls so say "so long"
We're in a psychedelic orgasmic euphoria
Dave - guitars, vocals, organ
Brian - bass, engineering, mixing
Andy - drums, percussion
Ian - mastering
05 - "They're not in the teens."
10 - "Don't talk about it. You just got to do it."
15 - "Twenty years ago it was an island."
20 - "Interdimensional is more along the lines of what's going on."
25 - "...I don't recommend psychedelics to those people."
30 - "Double you, oh, oh, ee, are; 'wooder.'"
35 - "I can dig through my bag and find it."
40 - "I found my notebook from 2003."
45 - "You're doing sepia toned nostalgia."
50 - "January 31st (2003) the Ottobar Clash Tribute Show.
55 - "I got 7 gigs listed on here. I am a nerd."
00 - "That's how I roll, man. I'm a songwriter."
BLOOD
Roam, suckers, roam through the markets of Chin Pau
With you races full of hope and your pockets full of dollars
Roam, suckers, roam with the freedom of life blood
Sucking face with grace in a love that's blessed by turmoil
Mourn, sucker, mourn 'cause you spit on family blood
And you turned your back on Momma, she never turned her back on you
Mourn, sucker, mourn with your shoulder slinging nine
And that bullet by your heart which your brother broke on purpose
Roam, sucker, roam
Laugh, sucker, laugh, 'cause revenge is blood that boils
And the reason why it is is the reason why we're here
Laugh, sucker, laugh 'cause your life's a twisted mess
Let's look back in anger to how we got here
Roam, sucker, roam
Oh, precious blood
Relinquishing its hold on what's to be
Oh precious blood
New day rising bloody still blood still bloody still
Blood flows through our veins
Picture - "Blood Heart" by Philip Roberts
Dave - vocals, guitars
Brian - bass, engineering, mixing
Andy - drums, percussion
Ian - mastering
05 "We find out the relationship between Billy and Johnny later."
10 "I'm not going to go up to New York to go to fucking Baltimore."
15 13:00 *SPOILER ALERT*THE EXPANSE*
20 Hidden Waylon Jennings/Slobberbone tributes
25 "It smells like a basement to me."
30 "How the fuck come I wasn't playing!"
35 "I like car songs."
40 "Production of 'The El Camino' I just treated it like a waltz."
45 "...and then it goes crazy at the end."
50 "He couldn't even fathom...nobody can."
55 ABRUPT ENDING!
THE TALE OF THE EL CAMINO
The tale of the El Camino
She's waltzing and drafting on air
Time and relative dimension in space
With a consciousness tied to my hair
With the breeding of an overhand punch
That pukes up a paisley gold flight
In the form of a youthful arachnid
Opportunity's also called plight
Around and away we go in the bed of an old Chevrolet
Straightening the hill flattening the curve
Doing it all night and day
Okay
Some say that the car has a conscience
Some simply say that she's a truck
Stock 305 bolstered by a warp drive
And a temporal matrix of luck
Remote Control found her in the portal
But she's been around lo many years
Here's what she did 'fore the Big Opera Grid
Just a matter of grinding them gears
Chorus
Dave - guitars, mandolin, vocals
Brian -bass, engineering, mixing
Andy - drums, percussion
Ian - mastering