05 ...that always feels good to...
10 I just started seeing musicians out on the street
15 It's like an undefined thing
20 I like cool new stuff
25 It ends with the epilogue
30 It's a good TMD record
35 We drove and talked about it
40 F sharp was never really in it
45 ...amp out in the kitchen...
50 It's just a guideline for dumb people
05 The computer talked to LOGIC
10 Maybe I was overreaching
15 ...weekly or monthly...
20 I love you, Paul
25 Turn the dryer off because we're doing tracks
30 This is like a brand new fucking thing
35 That's a bummer
40 I haven't even looked at my notebooks
45 Strictly because I don't have a CD player anymore
50 Just barely get a mark on it
55 Dark chocolate, that's the way to go.
Dave and Brian get into the nitty gritty in regards to the song "Adam & Eve." In regards to the conversation they name drop the short lived combo Pritty Hary. In regards to the further conversation they discuss STAR WARS THE FORCE AWAKENS. In regards to the rest of the podcast you'll have to listen. In regards to grammar, my most sincerest regards. Regards. Dave.
Doctor Dave and Snoop Brian Bri delve into the creaion "Torn Dress Blues" and how it fits into the larger narrative. The conversation soon throttles into Doctor Who, Star Wars, and John & Yoko. Quote of the day: "They live to f*** with you."
TORN DRESS BLUES
There's a torn dress in the corner I don't know where it's from
I got bloody knuckles and I got a broken thumb
There's a shovel by the door I don't know why it's there
I got dirty fingernails and blood all in my hair
I thought it was er tat I buried but I seen her walking down the street
If it wasn't her that I buries I guess it must have been me
The Blues is half of the essential handbook for any serious musician in the United States of America. By "the blues" what folk scholars actually mean is "music created by Africans in America." The other half is the folk music the Europeans conjured when confronted by this vast land trying to hold onto their roots. Neither is more important than the other. There's no guilt for being more in one camp than the other. In a land where certain freedoms are guaranteed in writing if not practice the only music jettisoned by the masses is that of the high born and educated, which is a goddamn fucking dirty shame. It's encapsulated by the banjo, an African instrument beloved by the ones whose necks are sunburned. As Johnny Cash would say, "meditate on it." The indigenous music got fucking trampled.
Davey Dave and Dr Bri break down the 5th song in DAWN.1 and APOCALYPSE TOMORROW, "Elvis Is God." The conversation turns to altering one's conciousness through epic jams and John Lennon's extra strand of DNA.
Dave and Brian discuss "If I Die Tonight." They start with the inspiration for the writing of the song and drift into Rhys Darby's career and the nitty gritty on how to stage an 80 song rock opera.
IF I DIE TONIGHT
If I die tonight I would be alright
Because I don't want to live
If I had a chance with my decadence
Well then my life is all I could give
I would sacrifice for the other life
That somehow might not end
If I had to guess I would ask this mess
Would never come again
If I have to fall I implore you all
Not to follow what I done
If I had a choice with my lonely voice
I would pull the trigger of this gun
If I die tonight I would be alright
Because I don't want to live
If I had a chance with my decadence
Well then my life is all I could give
If I die tonight I'm gonna live
Live on and on and on
Dave Linantud: guitar and vocals
T. Chris Johnson: violin
Produced by Brian Lutz
Engineered by Greg Humphries